Preserving a Piece of History: The Story of PJCOL ROSS

Pjcol Ross is one of the original grapes used to produce Lambrusco – the light bubbly red wine from Emilia-Romagna that is the traditional match for mortadella, prosciutto, Parmigiano-Reggiano, and Aceto Balsamico Tradizionale di Modena and Reggio Emilia.

Pjcol Ross is named after the red character of it’s stalk: “Pjcol” means stalk and “Ross” means red.  Pjcol Ross was saved from near extinction by the Rinaldini family. Due to its notoriously low yields and complexity and delicacy of fruit many would consider PJCOL Ross to be the premium Lambrusco varietal. We recently interviewed Paola Rinaldini about the story of Pjcol Ross.

Sedimentary:  Paola – thanks for taking the time to talk with us.  We know that your father started your estate.  Originally, he was a restaurateur in the area.  Why did he decide to start making wine?

Paola Rinaldini: Originally my father made Lambrusco just for his own restaurant, but at the time he personally took care only of the last part of production, the bottling. After the purchase of the estate, he discovered the whole production chain and he fell in love with this job. That’s why he decided to leave the restaurant and start making wine.

Sedimentary:  We understand that there is a special story about that first winter that your father was nursing the Pjcol Ross grapes.  Can you share it with us?

Paola Rinaldini: Pjcol Ross is an ancient indigenous vine of Val d’Enza (the valley of the river Enza).  It was abandoned because of its very poor productivity many years ago. In fact, when my father Rinaldo decided to produce this kind of Lambrusco on a larger scale, he had to create himself the seedlings, since they weren’t in any plant nursery. Therefore, he took the vine shoots of the ancient plants we had on our estate, put them in small boxes of soil and placed them in an unheated plastic greenhouse. On a January night during that winter it froze and my father was afraid that the plants would die. So, he took down all the kerosene heaters in the house (which were the only system of heating in the house!) with the help of my mother, my sister and myself (we were young girls at the time) we set the heaters up in the greenhouse in order to keep the plants warm. Of course, the house when we returned was very cold.  I remember the chill of that starry full-moon night as if it was now! However, if we hadn’t done that, maybe Pjcol Ross would no longer exist today.

Sedimentary:  We know you also share a passion for food and wine and that you continue to make PJCOL ROSS today in the way that it was meant to be made.  Can you tell us about your approach to the vineyard and to winemaking?

Paola Rinaldini: I began to help my father in the winery when I was 16 years old. Year after year, I learned what “making wine” really meant. This job is fascinating, difficult, and demanding. But, it is definitely never monotonous, because every year you have to face a new challenge: one year you may have to fight with low acidity whereas the following year  just the opposite happens! In any case, it takes a lot of passion. Pjcol Ross is a wine that I have always loved, even if it’s so hard to grow this variety of grapes because they are very delicate, they ripen early, and they have a very low yield. In the cellar it’s equally difficult so you need to have a great deal of experience in order to get the expected results. But, in the end the fruit is certainly outstanding and it makes wonderful wines. Pjcol Ross is a Lambrusco with original character, elegance coming from the grapes, and refinement due to the Metodo Classico that we use. In the glass you will find out all its magic!

Thanks to Paola Rinaldini for her time.

Disclosure: We import Paola’s Pjcol Ross Lambrusco.  For our latest offering of her wines go here.

Le Comptoir Features Cornelissen and Cappellano on New Year’s Eve

Le Comptoir, one of the hottest new restaurants in Montreal, has featured wines by Frank Cornelissen and Teobaldo Cappellano on its New Year’s Eve menu.  Le Comptoir was named the 9th best new restaurant in Canada in 2011 by enRoute magazine and it specializes in charcuterie and wine.

Yesterday, Le Comptoir announced on their facebook page that they would be serving:

  • Frank Cornelissen Munjabel Bianco with Veal Loin Tataki with Pickled Radish and Sage Popcorn Sweetbreads.
  • Teobaldo Cappellano Barbera D’Alba 2006 with Smoked Duck with Sauteed Chanterelles,  Glazed Onions, and Seared Foie Gras.

You can view the complete New Years Eve menu on their facebook page. It is also attached below.  If you live in Vancouver try to ignore the fact that the 7-course New Year’s dinner at one of the best restaurants in Montreal is only $65.  It’s painful but it’s true.

The fact that these naturalist wine-making icons on being featured on the New Year’s menu of such a trend setting restaurant is further evidence that natural wines are growing in popularity in Canada.  We still have not seen as much interest in Vancouver or Victoria as we have in other cities like Paris, San Francisco, and Montreal – but given the rapid growth of consumption of natural wines elsewhere – it is really just a matter of time before they arrive in British Columbia en force.

Disclosure:  We import both Frank Cornelissen and Teobaldo Cappellano’s wines.  For our latest offer from Cornelissen go here.  For our latest offer from Cappellano go here.

 

Le Comptoir New Year's Menu 2011

The Round-Up Free Weekly Wine Round-Up

It’s harvest time in the Northern hemisphere and those that do in wine are getting down to getting it done. In BC’s Okanagan Valley what was looking like a potential disaster of a vintage as of July (coolest summer on record) has really turned itself around. According to the marketing arm that is. Really? It’s All Good?Elsewhere: Its raining in Napa but as always it’s a matter of site, farming and philosophy. Vinography chats to a few winemakers. Some tell it like it is. In Oregon it has been very cool and this year will once again separate the women from the girls so to speak (bettcha the Ladies at White Rose will make some rad Pinot, see 2009). In Burgundy we saw one of the earliest vintages on record; short and hot and without great ripeness levels Burgundy Vintage. Napa 1997 anyone? But I’m sure they will come around with some bottle age. Again, Napa 1997?

In other news…

California’s Sea Smoke winery has labelled their 2009 ‘Single Vineyard’ Pinot Noir’s as California Grand Cru. The 390 acre site on which these ‘Grand Cru’ Pinot’s are grown was farmed as a bean field as recently as 1999. Wonder what Grand Cru beans taste like? Never mind. Rhetorical question I’ve had Sea Smoke. Of note, Sea Smoke is entirely within their legal right to label their wine as Grand Cru.

In other Grand Cru news the Loire Valley is looking to make Quartes de Chaume its first Grand Cru appellation. Can’t wait for this dinner party conversation:

“Um, Nigel, this wine is rather sweet and white! Not sure it’s pairing well with the Beef Borgogne.”

“Nonsense Applebee, it’s a Grand Cru!”

“But of course Nigel, lovely indeed.”

In France  biodynamic producer Olivier Cousin has labelled his Cabernet Franc as Anjou pur Breton (Breton is the historic name for Cabernet Franc). This is in contradiction of French AOC labelling laws. He is now facing jail time and a hefty fine. Seriously. See Sea Smoke above. Read More Here and sign that petition. Olivier’s wines are awesome.

Fiona Beckett is spending a week in Paris checking out the natural wine bars – follow her all week long on her blog.  Yes. We are envious.

L’Espirit du Vin, a new film about biodynamic wine-making, is having its debut this weekend at the Gotham Screen International Film Festival – too bad the masses don’t get to see films like this instead of Transformers III – The Return of the Obliterating Cosmo-Robots.

Wine with the Gauls – An Exhibit in Montreal

The Pointe-à-Callière Museum in Montreal has a fascinating exhibit this summer that traces the history of wine from the Middle East (Persia and Armenia) to Gaul with stops along the way in Egypt, Greece, and Rome.My main impression of the exhibit was that not much has changed in 7000+ years (wine was first made in Persia in 5400 BC).  We still love wine, we value it highly, we ship it all over the known world, it is still made in largely the same way, we still use flavour additives to make it taste better, and stabilizers to protect it while shipping and to prevent oxidation, and we stll have standardized containers and labels to determine the provenance of the wine.

In ancient times, those containers were terracotta amphorae jars – the word comes from the Greek word amphoros meaning “two handles”. The jars had particular shapes that allowed for easy carrying (two handles on the side) and pouring (the point on the bottom of the jug assisted in tipping it to pour the wine).  These jars were ubiquitous around the ancient world and the provenance of a wine could be determined by the shape of the jar.  It is still the same way now with the ever familiar distinctive shapes of the Bordeaux or Burgundy bottles or the Alsatian flute as examples.  There were also inscriptions on the jars (sometimes) like the labels we have now.

Ancient wine often had flavor enhancers added to it, including:  Salt, pepper, cardamon, cloves, fennel, fenugreek, orris root, coriander, sesame, marjoram, thyme, honey, or pitch.  Now we add sugar, oak chips, chemical flavourizers, ammonia, antifreeze, [just kidding - but not really], etc.

Wine also had stabilizers added to it, including plaster, flour or calcium carbonate.  Nowadays we use sulphites to stabilize the wine and to prevent it from oxidizing.

So, everytime you find yourself marvelling at how much human civilization has progressed – sit back and consider that the 7000 year history of wine may be the best evidence of the lesson – “The more things change – the more they stay the same.”

Here are some other interesting facts that you don’t really want to know:

  • Galen, a 2nd century Greek physician, drew up the first set of criteria for describing wine, including:  colour (form white to red), flavor (from sweet to astringent), consistency (from thin to thick), aroma (pleasant, harsh, or disagreeable), and strength (from water to vinous – strong).
  • In Egypt, women could drink wine and Egypt had the only vineyard in ancient times that was owned by a woman.  In contrast, in Rome, wine was reserved for men only, and if a woman met a male family member on the street – she had to kiss him on the mouth to prove that she had not been drinking.
  • In Greece and Rome all wine was watered down with two parts of water to one part of wine.  Only the barbarians in Gaul drank their wine un-watered.

I guess that confirms that I am a barbarian.

The Round-Up Free Weekly Wine Round-Up

Vinography posted a review of a new Biodynamic Wine Tasting Calendar. As wine agents, we can tell you – there may be something to this concept – we can taste a wine one day and it is great and the next day it is not. How does that happen?  You can have your very own biodynamic wine tasting calendar for about $10.  The book is Maria and Matthias Thun, When Wine Tastes Best, A Biodynamic Calendar for Wine Drinkers 2011, Floris Books 2010.

Alice Feiring posted about her recent trip to Georgia for the Qvervi Wine-making Conference devoted to Georgian wine making techniques.

Jamie Goode posted on the topic of: “So What Does Terroir Taste Like?”

Just Grapes wrote a great profile of Domaine Marcel Deiss from Alsace.

The Organic Wine Journal did a profile of Morgon Beaujolais estate Domaine Joseph Chamonard.

Not Drinking Poison in Paris really likes the new Paris Natural Wine Bar L’Entree des Artistes.

Wine Naturally also had a great experience at the new Duck Soup natural wine bar in London.

Rick Van Sickle wrote a piece about Tawse winemaker Paul Pender, natural wines, and how they fit into Niagara.

Wine Naturally talked about “How natural wine changes your palette”

Jancis Robinson went in search of the perfect natural wine book.

Andrew Jefford went out on the wire to clarify his opinions about natural wine.

Crème de Cassis: Dijon or l’Île d’Orleans

Everyone knows that the best Crème de Cassis comes from Dijon – and so when it was time to make Kir Royal for my partner’s birthday lunch – I naturally purchased some Crème de Cassis from Dijon. The result was lame.  The Crème de Cassis tasted more of sugar than blackcurrants and it was clearly an industrial product. So much for Dijon.

A few weeks later I was walking through a market (Marché du Vieux-Port) in Quebec City when I came across the small booth of a Quebec producer of crème de cassis: Cassis Monna & Fils. This is real hand made crème de cassis from the blackcurrants grown on the l’Île d’Orleans near Quebec City.  This product is stunning. Bursting with fruit flavour and structured around refreshing acidity – it is not sweet or cloying in any way

Cassis Monna is now made by Catherine and Anne Monna – the daughers of Bernard Monna – a fourth generation liquoriste from the South of France who moved to Quebec in the 1970s.

We went back to Kir Royal for my partner’s birthday dinner (yeah – her birthday lasted a week and travelled across most of southern Quebec). We  decided to use Veuve Cliquot this time instead of Cremant (and yes, I still think the best use of Veuve Cliquot is as a mixer). The difference was stunning.  I bought a few bottles of Cassis Monna to bring back to Vancouver – but I’m not sharing – so get your own.

The Round-Up Free Weekly Wine Round-Up

Joe Dressner died this week after a long battle with cancer. Joe was “the” natural wine importer who was importing natural wines long before the term even existed.  He was an icon in the wine importing business and a real inspiration for us in starting Sedimentary Wines. He was a polarizing figure loved by some and disliked by others. He was passionate and opinionated and he leaves behind the significant legacy of having changed the way North American’s think about wine.   He will be missed terribly.

He wrote a blog about his battle with cancer: The Amazing Misadventures of Captain Tumor Man

Here are words of goodbye from people who knew him:

His son Jules 

Alice Feiring – (Warning – this is a tear jerker)

Eric Asimov of the New York Times

Jon Bonne (Wine Editor – San Frincisco Chronicle)

Cory Cartwright of Saignee

Lyle Fass of RockssandFruit

Pamela Busch at screwcap.com

Here are some tributes from the industry:

Bertrand Celce of Wine TerroirsBrooklynguy, and Mike Steinberg from the Wine Diarist.

Jake Skakum posted a tribute from Jon Rimmerman at Garagiste Wine.

The official New York Times article (as opposed to Eric’s personal blog entry), Decanter and the Wine Enthusiast.

Acknowledgments from people he wasn’t that close with included Dr. Vino and Tom Wark.

In other news . . . .

Patrick Comiskey asks the question: “Are Natural Wines ready for their close-up?”

Some Vancouver wine geeks did a natural wine tasting and we have to wholeheartedly thank La Stella winery for posting the video of it on youtube.  Classic.  Hey guys – we think you needed to add a few more bottles to the tasting . . .

The Gray Report asks the Question: “What’s up with French Oak?” and why do biodynamic and organic wine-makers use it?

Nancy Yos of At First Glass explores what the term “natural wine” might have meant in 1941.

Is “natural wine” just a trend because “anything with the word ‘natural’ stuck to it is going to be popular with the greenie Whole Foods crowd.” Or, is it something more?

Nick Peay of Peay Vineyards gives a winemaker’s perspective on natural wines.

Phillip from www.thewinefeed.com has a go at differentiating between natural, biodynamic, organic, and sustainable wines.

Arnold Weinstein did a profile of Stephane Tissot’s wines. BTW – you can get these amazing wines in the B.C. market from Barb Mill’s at That’s Life Gourmet.

After fleeing the “not-so-natural” natural wine bar last week, Aaron Ayscough (of Not Drinking Posion in Paris) and his friends had a “surprisingly lovely experience” at natural wine bar Avant Comptoir. BTW – his post calling out the other natural wine bar generated so much interest that he has now posted a version of it in French.

The Round-Up Free Weekly Wine Round-Up

Cyberpresse reports that Parisians are raising their glasses to organic wine! It is estimated that now over 100 restaurants in Paris have added organic wines to the wine lists.

The Globe and Mail asks “Should you be worried about pesticides in your wine?”

The diary of a wine rep. Word is this guy loves to drink cooking wine. Think he would spring for some Radikon to make his coq au vin with? Would be delicious!

Google has just bought the Zagat Restaurant guide for nearly $200M. Maybe they finally got that date with Twitter and need a good restaurant recommendation? Google Buys Zagat

Tom Wark throws out the top ten words he hears used to describe the 2011 harvest in Napa. Um, may we also add EXPENSIVE! Top Ten 2011 Napa Harvest Words

Robert Parker sorta kinda recommends a white wine from the Jura. http://twitter.com/#!/RobertMParkerJr In response, cats have started started sleeping with dogs.

Alder Yarrow wrote a great comment on an article by the American Association of Wine Economists entitled “The Buyer’s Dilemma – Whose Rating Should a Wine Drinker Pay Attention to?” The study analyzed the relationship between the price of wine and the scores given by experts and CellarTracker. The interesting findings included:

- Stephen Tanzer’s scores were the closest of all the experts to the scores given by the community on CellarTracker (we think he was also the first experts whose scores showed up on CellarTracker), and
- The price of a wine is more closely related to the community scores on CellarTracker than any expert’s score.
This is all great news for us because we’ve been ignoring the experts for years – now our ignorance is justified. (BTW – Mike bought a Tanzer subscription after reading the post)

Arnold Waldstein did a profile on natural wine-makers Alain and Julian Guillot who own an ancient vineyard in Southern Burgundy that may be France’s oldest organic vineyard and that has never (yes read – NEVER) seen any chemical treatments. Nice.

Jake Skakum wrote a great post criticizing the liquor distribution system in BC (and pointing out how we are all getting screwed). The post generated some interesting comments including one from Robert Simpson of Liberty Wine Merchants. This is a must read if you are in the business (in other words ‘getting screwed’) in BC.

Kevin Major wrote a profile on Domaine Zind Humbrecht

Aaron Ayscough of Not Drinking Poision in Paris tells us about a supposedly natural wine bar in Paris that has a wine list composed of 50% Bordeaux. . . . he decided to give ‘em one and we think that they deserved it.

The Organic Wine Journal wrote a review of the book Voodoo Vintners: Oregon’s Astonishing Biodynamic Winegrowers. They think we will learn somthing from reading it. (We are not as confident in our ability to learn).

The New Zealand Herald wrote an article on The Remarkable Rise of the Organic Wine Industry.

Sunrise on Mt. Etna – An Interview with Frank Cornelissen

Frank Cornelissen is one of the icon’s of natural wine-making.  He makes “beyond” natural wines from the grapes grown in his vineyards on the top of the active volcano Mt. Etna in Sicily.

We recently conducted an interview with Frank and asked him about Mt.
Etna, the indigenous grapes that he works with, and why he chose the
naturalist approach.

Sedimentary:  Why did you choose Mt. Etna as the location for your winery?

Frank Cornelissen: “After years of traveling all over the world in search of territorially expressive wines, I tasted a bottle of Etna which was served blind and it struck me. So, I decided to visit Etna and after spending a day driving around the mountain, I was instantly attracted when entering the northern valley. The natural beauty of it’s environment reminded me of Georgia (Caucasus): the climate, the old vines, the stone walls. . . Everything fell into place here: altitude, real winters with snow,  intensity of the light, dry climate, the century old culture of vine growing. . .  I was lucky to find a small plot at the end of 2000 and I started working it for 2001 – which was my first vintage.”

Sedimentary:  What is unique about Nerello Mascalese?

Frank Cornelissen:  “I don’t care whether varietals are local as long as they have come from somewhere where viticulture had it’s origin – presumably Georgia or Armenia. What I need to produce a great territorial wine is a varietal with a long vegetative cycle because this is necessary to transport the mineral identity of the soil into the fruit when mature. The longer the cycle, the better. Nerello Mascalese has this quality.  We pick it between mid-October to mid-November.”

Sedimentary:  Why do you choose a naturalist approach to wine-making?

Frank Cornelissen: “Natural wines have not been defined yet and so I am not a fan of the use of words or concepts that have no definition. My vision is that producing in a “naturalistic” way, with the use of zero products, if possible, and zero additives in the wine, evidently and logically will express in the wine the most of it’s territorial identity.”

“Therefore, I avoid using any kind of chemistry, technique or technology which might cover up parts of the territorial expression. I strongly believe that, being an artisan, the naturalist way is the road, but not it’s end. My goal is to make the most expressive territorial products, trying to always to interpret better every year and producing always more profound products -  with one very important exception which is to be respected – always bearing in mind the importance of passing on to our next generation a healthy land and environment that is free of any drug addiction (read: “necessary treatments”).”

Thanks to Frank Cornelissen for his time.  For Frank’s Blog visit here.

Also, we import Frank’s wines.  For our latest offering of Cornelissen wines go here.

The Round-Up Free Weekly Wine Round-Up

Alder Yarrow provided some tasting notes on Greek wines from a recent trip.

BrooklynWine Guy calls 2010 “The Vintage of the Century” (and no – he is not talking about Bordeaux – where of course we all know that every vintage is “the vintage of the century”).

Ever wondered exactly what was in your Red wine?  Kurtis Kolt kindly provided the link to a WIRED article that lays it all out . . .

The Hose Master of Wine is back. . . sort of . . .  we are not sure whether he saw Oprah in Hustler or whether he was just kidding.

Jamie Goode (wine blogger extra-ordinaire) and Sam Harrow (MW) launched their new book Authentic Wine: Towards Natural and Sustainable Winemaking.

Palate Press reviewed the book and concluded that “Overall, the book does a masterful job of examining an entire spectrum of issues related to the natural wine movement.”

The Wine Economist also recommends the book. But, some people would rather drink in-authentic wine.

Here is a down-under approach to the terms: organic, bio-dynamic, and natural wines.

Vintage reports keep coming in.  Apparently, it was a difficult year in Muscadet.  And here is a longer report from elsewhere in the Loire.

If you are looking for yet another over-priced restaurant in Paris serving bad imitations of American food try this one.

Having an all organic or biodynamic wine list just might get you onto the Food & Wine Top Sommelier list.

Check out which bottles of wine Fiona Beckett served to some friends who are becoming interested in the natural wine movement.

Here is a short article on natural wine from the Scottish Licensed Trade News.

Wine Berserkers did an online poll asking the question: “How Important are Natural Wines to You?”  Apparently, we are in the top 1% (according to our own interpretation of the results).