Is the Past Becoming the Future? 5,000 Year Old Wine Glasses?

Is the past becoming the future?

In some wine-making circles maverick wine-makers are looking to the past to conceive of the future  (think fermentation in amphorae clay vessels).

This method of innovation may also be used to re-think the glasses we use to drink wine.  Beppi Crosarial from the Globe and Mail recently did a piece on clay drinking vessels for wine in response to a question he got from a reader: “Will unglazed clay goblets improve ‘economical’ red wines?”.  In his response Beppi  pointed out that there might be some scientific evidence supporting the fact that young red wines may taste better from clay vessels because certain types of clay can bind to tannins and remove them from the wine.  Although, he admits the effect may be subtle. He also mentioned that there are a number of mavericks in Europe that are experimenting with fermentation in clay.

It just so happens that Josko Gravner is one of the mavericks that Beppi mentions in his piece and Josko recently sent us pictures of the new wine glass he has designed. (To see our recent interview of Josko Gravner and why he started fermenting in clay amphorae go here.)

JoskoGravnerGlass

The glass is based on the old cups of baked earth that people used to drink wine from 5,000 years ago.  Josko Gravner believes that these wine cups are the best way in which to enjoy his amphorae wines.

JoskoGravnerGlass

We are not as sure that these glasses will make your wine taste better. But, if you live in British Columbia and want some of these glasses to give them a try – let us know – we will be glad to order some for you.

Disclosure: We import Josko Gravner’s wines.  To see our latest offer go here.

White Rose and the pinot noir vision….

White Rose has been growing pinot noir in Oregon for decades and have been making wine from their famed vineyards since 2001. White Rose was the first winery in our Sedimentary Wine Importers portfolio. In the last few years their status has grown immensely as more and more people are taking notice of this artisanal, pinot noir only winery. 

This week we interviewed Gavin Joll the general manager of White Rose. He’s a pinot nut and all around great guy.  Enjoy.

Question: Oregon is one of the most exciting qualitative pinot noir  regions in the world. Yet, everyone seems to be experimenting with varietals other than pinot noir (riesling, gamay, pinot blanc etc). Why has White Rose remained a pinot noir only winery?

Gavin: There are some great white wines being produced in the Willamette Valley and there is a demand for these wines at both the local and international level.  For years our customers and distributors have expressed a desire for us to produce a white wine, yet we remain reluctant for several reasons.  The primary reason is our owner, Greg Sanders, had a very clear purpose when he founded the winery in 2001 and that was to produce world class Pinot noir.  His, passion, our focus, and 100% of our efforts remain committed to making the best expression of Pinot noir possible.  We are also a pretty small winery that makes about 3-4000 cases annually.  We like being small and specialized and wouldn’t want the production of other varietals to disrupt or distract our pursuit of making great Pinot noir.

Question: Much is made of clonal selection in the pinot noir world: What to plant, where to plant it and how to treat each clone in the winery. How do you handle your different clones at White Rose, both in the vineyard and the winery? Can you speak a little bit about massal selection and what role you see it playing, if any, with respect to how pinot noir clones are handled in Oregon moving forward.

Gavin: White Rose Vineyard is mostly self-rooted Pommard with one block of Dijon 115 on American rootstock.  The other vineyards we work offer several different clones including Dijon 114,115, 667 and 777, Pommard and Wadensvil.  While we believe the different clones do have distinct flavors and characteristics, we base our decisions in the winery and vineyard on location, vine age and conditions of the vintage.  We will select our preferred clones (Pommard and 777) and propagate by massal selection as we plant additional acreage in the coming years. Massal selection is similar to the philosophy of ‘survival of the fittest’ where new plants are propagated only from the budwood of the most outstanding plants in the vineyard.  Rather than pick a particular uniform clone to plant, you get greater genetic variety buy selecting a group of outstanding vines.   We began identifying the best plants in White Rose Vineyard in 2005.  Our White Rose Vineyard “Hand Select” is a wine produced from these specific plants.  It’s something we believe in, but I’m not aware of anyone else doing it and doubt it will play a significant role in Oregon in the near future.

Question: White Rose is known for using whole clusters during fermentation. What do you guys see as the benefits of whole clusters and do you think whole clusters are especially beneficial in Oregon Pinot in particular? Whole cluster fermentation is something we began experimenting with in 2004 and now is the foundation of our winemaking philosophy.  Our belief is that whole cluster fermentation is crucial for the most authentic expression of Pinot noir.  It allows for the fruit character, secondary characteristics, structure and balance we aspire to achieve in our wines.

Thanks to Gavin for dropping some pinot knowledge on us and offering a look at pinot philosophy in Oregon. 

Leading the Way to the Source: An Interview with Josko Gravner

Josko Gravner is generally considered one of the greatest vignerons in Italy. He has never used the terms organic or biodynamic as he sees them as mere marketing slogans. He does consider himself a ‘naturalist’ and is considered a leader in the movement by his peers. He led the movement in Italy to re-ignite the thousands of year old tradition of fermenting wine in clay amphorae jugs. We asked him a few questions to find out why he did this and why it was important to him . . .

Sedimentary Wines: You went to California in the 1980’s and came back a changed vigneron. What was it that you saw in California that made you re-evaluate everything you were doing back home?

I visited California in 1987 where I tasted over 1000 wines in 10 days.  I returned to Italy disillusioned.  When I returned, I my wife asked me what did I learn on that trip? I answered that I had learned what not to do and that what I had started to already do in Italy was correct.  I told her that I was sick and tired of conventional wines and that wine-making in California was not working very well because they were moving in the opposite direction of that of safeguarding the soil and the authenticity of the product. Once again, the fault was in the progress and the technology.  From the North to the South, the wines were all the same (equal), and they were proud of it.

Sedimentary Wines:  Can you tell us about your trips to Georgia that changed the way you approach your wine-making?

When I went to Georgia my ideas were already clear. After my visit to California, I began to take an interest in the study of vines and wine. After I had been reading some ancient texts like Pliny the Elder and Columella, the secret of the agriculture and the wine was written in the books that were 1000 years old and it led me to the Caucasus and Georgia. To make quality in agriculture you need to turn and look behind you.  All the environmental catastrophe of the last decades, the sickness, etc. are nothing more than the demonstration that the progress of agriculture is destroying the planet and humans still did not have an understanding of it. My wine is trying to respect the land where it comes from.

The objective of my next journey was no longer the “new world” wines where they had been producing wines for 50 years – but the Caucasus – where the wine was born and they had been producing wine there in amphorae for 5000 years.

The problem was how to get there.  In those years, Georgia was still part of the Soviet Union – and it was impossible to travel and everything was a secret.  No one could say how they operated.  So it was difficult.  After 1991, when Georgia split from the Soviet Union, I became hopeful – but then there was civil war.  My first trip was in 2000.  I arrived in May and went straight to Kaketi in the south – one of the best areas for wine production.  I tasted wine from the amphorae.  It was heavenly. I have to say that I was astonished by the result of this kind of production.

gravneramphorageorgia3

My first amphorae vintage was 2001.  The big advantage of the amphora is that they allow you to respect nature by requiring no intervention during fermentation: neither with fridges, nor the need for additives or to clarify.  Nothing – except for a little sulphur.

Sedimentary Wines: Other than sleeping well at night why is it important that you farm the way you do?

An agricultural business farm (azienda agricola) is managed with love and passion . . . we cannot be consultant oenologist and do it for someone else unless we do it ourselves.  Wine is like a sponge that absorbs whatever is around it. I always say that it is impossible to do a natural wine if the person who is doing it does not have a natural life. You cannot teach honesty to your son if you are dishonest – same thing for the wine.

Sedimentary Wines: Your wines challenge accepted qualitative metrics. Why is it important, if at all, that we change the way we think about wine?

In my life, I have changed four times my cellar [la cantina]. I was young when I started and I wanted to make a lot of good wine and to do so I followed the most advanced technology.  As I got older, I realized that wine is not a computer. . . it ends up in the stomach. . . it is different [from other technologies like] computers, phones etc.  So, I stopped myself and I saw that the future of the wine was written in the past 5,000 years ago.

Making wine the way I do is a little like looking for the clean water of the river.  You do not look for clean water at the mouth of the river close to the sea.  You have to go to the mountains to where the river rises from the ground.  I have applied this same idea in my approach to wine. I have searched for wine at its source, how it was invented, and how it has been produced for 5,000 years – and I found it.

Disclosure: We import Josko Gravner’s wines.  To view our latest offer of Gravner visit here.

To see a longer video that explains how Josko Gravner arrived at making his wines in Amphorae go here.

Frank Cornelissen Featured in Fine Wine Magazine!

Frank Cornelissen was recently featured in an article by Tom Hyland in Fine Wine Magazine and he had some amazing things to say about Frank as a wine-maker, Frank’s vineyards, and Frank’s wines.

Frank – “The Wine-maker”: Our favorite quote about Frank as a winemaker was:

“Frank Cornelissen may just be the most driven, ardent, perfection-oriented winemaker in the world.”

We tend to agree with Tom.  To say that Frank Cornelissen is a perfectionist is an understatement of monumental proportions.

Frank’s Vineyards: The article also highlighted one of Frank’s vineyards: Barababecchi which is a 100 year old vineyard planted with pre-phylloxera ungrafted vines.  As the article states:

“The soil here is pure lava rock, and the vines are in the classic alberello system, where the free-standing plants reach only a few feet above the ground. This site is given over mostly to Nerello Mascalese that he uses for his signature red, Magma.”

Frank’s Wines: The article also contained an eloquent description of Frank’s process for making Magma:

“Small yields, cluster-thinning, and cutting the bottom off some of the bunches mean that Cornelissen has only a small amount of fruit to work with for his wines; for the Magma 8VA, that total was only 1,433lb (650kg) of grapes from 5,400 vines.  From this he ultimately had the potential to produce 800 bottles, but after tasting the wine, he decided that some of the product in the smaller amorphae was not up to his quality standard, so he declassified a total of 300 bottles and used that wine in the MunJebel Rosso offering.  As a result, Cornelissen produced fewer than 500 bottles of Magma 8VA – 430 standard 75cl bottles and 30 magnums. Given this minute amount of wine, it is easy to understand the price of this wine, roughly on par with a few of the finest Barolo crus.”

Frank Cornelissen continues to gain in stature and his wines are garnering more attention worldwide. Recently, Magma was named 2011 wine of the year by wine-pages.com. We also interviewed Frank recently about his approach to wine-making – you can see our interview here.

We could not be happier for Frank Cornelissen, because his profile is building the right way, it has not been done with a marketing team nor a large marketing budget, it has been accomplished because of his slavish dedication to his wines, his exacting standards, and his unwavering values.  The result is that he produces wines that demand attention just because they exist.

If you have never tasted one of Frank Cornelissen’s wines – you should.  We import them and you can see our profile of Frank Cornelissen here.

- Mike and Matt.

 

Stanko Radikon Profiled on Wine Stories

radikon-tractor

Wine Stories, an italian blog about “living the real italian experience”, has just posted a new profile (in english) of Stanko Radikon and his son Sasa.

The profile includes a nice video with footage of Stanko talking about his wines together with images of the vineyards.  Unfortunately, the video is in Italian – but take a look anyways – the imagery is beautiful. Nicely done Wine Stories!

Disclosure:  We import Stanko Radikon’s wines.  Our first offer of his wines will be released this Thursday.  To view our profile of Stanko Radikon go here.

Radikon from mauro fermariello on Vimeo.

Real Lambrusco meets Real Food

Warning: Do not pair with picnics, cold chicken or friends…..
Most of the time ‘wine experts’ recommend pairing Lambrusco with light fare; cold chicken, cheese and mild salumi and to treat the wine as an aperitif and an ice breaker (hence the friends) before the main event. And while there is nothing wrong with enjoying mass produced Lambruscos (think Riunite) en masse we think it’s a colossal disservice to ignore the profundity that REAL Lambrusco – paired with serious, complex fare – can
provide.
REAL Lambruscos, the ones that are hand picked, lovingly grown (lower yields) and even vinified by metodo classico (Champagne method) are very complex and layered wines. They are also extremely versatile when it comes to pairing them with food. In fact, they can provide some of the most amazing food and wine experiences period.
What you need to know…. First, REAL Lambrusco, and especially the wines from the Rinaldini Family or Fattoria Moretto et al, are fairly dry,
layered wines when compared to mass produced Lambrusco. They main contain some residual sugar but more often than not it is naturally occurring (by stunting fermentation) and not by adding it back. Second, the wines have a distinctly savoury component combined with a core of intense red to dark berry fruit. Lastly, they will have varying degrees of tannin, rather high acidity and good persistent bubbles. Any sommelier will tell you these are all components that make a wine very versatile with food.
So what to eat…. 
Forget the cold chicken. We like to think of heartier dishes with substantial protein, density and even spice as real Lambrusco can handle all of these sometimes difficult food components. Here’s a few options to get you started.
Old School Option:

Meat Stuffed Tortellini with Parmesan and Truffles. Make some tortellini (it’s dead simple, here’s a step by step egg pasta dough recipe, I usually go by feel but its usually about 2:1 flour to eggs with a few extra yolks for good measure) then stuff it with some meat like ground pork with herbs. Fry some chili flakes in good olive oil to drizzle over the cooked pasta and top with some shaved black truffles. Lambrusco shines with dishes like this as the acid and bubbles slice through the dense, oily pasta while the tannins take care of the pork filled stuffing. The truffles are both tempered and enhanced by the meaty, savoury notes of the Lambrusco’s dark fruit core. Complex and utterly delicious.

Off the Beaten Path Option:

Moroccan Lamb Tajine with Dates. Tajine is a great one pot dish. It’s basically the classic put meat in a pot, add liquid and cook forever recipe but with the addition of amazing

spices and fruit. Here are a few solid recipes With Honey and With Raisins but don’t get too caught up on the details as Tajine is so versatile you should add and change as you like. Just read a few recipes to get the idea and then get crackin’. I like using dates in my Tajine when pairing with Lambrusco as the the fruit components in both the wine and dish really compliment each other; you could easily include prunes, raisins or apricots as well as almonds or other nuts too. The tannins in the Lambrusco really help to tame the proteinous lamb while the wines savoury notes compliment the dishes Mediterranean spice components. I sometimes pair a high acid white with this dish when I use apricots (oh no, white wine with red meat!) as the high acid really brings out the cumin and coriander flavours and really helps cut the richness. Lambrusco works even better as the acid brightens the dishes flavours and the bubbles do extra lifting to keep the whole pairing lively and moreish. A food and wine pairing to change perceptions.

The take away….

Real Lambrusco can handle big, complex and expressive food. Experiment with lots of different dishes. Like Champagne, which is also a go to for food and wine pairing, Real Lambrusco lends itself to a myriad of textures, weights and flavours – and it costs 1/3 of the price!

Cheers and have fun.

Matt and Mike

Frank Cornelissen’s Magma named 2011 Wine of the Year!

magma-corneliseen

Frank Cornelissen’s Magma® Rosso 8VA (2009) has been elected by Tom Cannavan of wine-pages.com as his red wine of the year!

Frank Cornelissen’s wines are gradually settling in with the other great wines of the world and this is a nice reward for both Frank and the Mt. Etna region.

Not only does Magma taste great but it is also one of the iconic natural wines in the world – which means no chemicals at all.  None.  Which makes Frank’s achievement that much more impressive.  Bravo Frank!

To view Tom Cannavan’s Wines of the Year list go here.

Disclosure:  We import Frank Cornelissen’s wines.  For our latest offer of Frank Cornelissen’s wines go here.

 

Preserving a Piece of History: The Story of PJCOL ROSS

Pjcol Ross is one of the original grapes used to produce Lambrusco – the light bubbly red wine from Emilia-Romagna that is the traditional match for mortadella, prosciutto, Parmigiano-Reggiano, and Aceto Balsamico Tradizionale di Modena and Reggio Emilia.

Pjcol Ross is named after the red character of it’s stalk: “Pjcol” means stalk and “Ross” means red.  Pjcol Ross was saved from near extinction by the Rinaldini family. Due to its notoriously low yields and complexity and delicacy of fruit many would consider PJCOL Ross to be the premium Lambrusco varietal. We recently interviewed Paola Rinaldini about the story of Pjcol Ross.

Sedimentary:  Paola – thanks for taking the time to talk with us.  We know that your father started your estate.  Originally, he was a restaurateur in the area.  Why did he decide to start making wine?

Paola Rinaldini: Originally my father made Lambrusco just for his own restaurant, but at the time he personally took care only of the last part of production, the bottling. After the purchase of the estate, he discovered the whole production chain and he fell in love with this job. That’s why he decided to leave the restaurant and start making wine.

Sedimentary:  We understand that there is a special story about that first winter that your father was nursing the Pjcol Ross grapes.  Can you share it with us?

Paola Rinaldini: Pjcol Ross is an ancient indigenous vine of Val d’Enza (the valley of the river Enza).  It was abandoned because of its very poor productivity many years ago. In fact, when my father Rinaldo decided to produce this kind of Lambrusco on a larger scale, he had to create himself the seedlings, since they weren’t in any plant nursery. Therefore, he took the vine shoots of the ancient plants we had on our estate, put them in small boxes of soil and placed them in an unheated plastic greenhouse. On a January night during that winter it froze and my father was afraid that the plants would die. So, he took down all the kerosene heaters in the house (which were the only system of heating in the house!) with the help of my mother, my sister and myself (we were young girls at the time) we set the heaters up in the greenhouse in order to keep the plants warm. Of course, the house when we returned was very cold.  I remember the chill of that starry full-moon night as if it was now! However, if we hadn’t done that, maybe Pjcol Ross would no longer exist today.

Sedimentary:  We know you also share a passion for food and wine and that you continue to make PJCOL ROSS today in the way that it was meant to be made.  Can you tell us about your approach to the vineyard and to winemaking?

Paola Rinaldini: I began to help my father in the winery when I was 16 years old. Year after year, I learned what “making wine” really meant. This job is fascinating, difficult, and demanding. But, it is definitely never monotonous, because every year you have to face a new challenge: one year you may have to fight with low acidity whereas the following year  just the opposite happens! In any case, it takes a lot of passion. Pjcol Ross is a wine that I have always loved, even if it’s so hard to grow this variety of grapes because they are very delicate, they ripen early, and they have a very low yield. In the cellar it’s equally difficult so you need to have a great deal of experience in order to get the expected results. But, in the end the fruit is certainly outstanding and it makes wonderful wines. Pjcol Ross is a Lambrusco with original character, elegance coming from the grapes, and refinement due to the Metodo Classico that we use. In the glass you will find out all its magic!

Thanks to Paola Rinaldini for her time.

Disclosure: We import Paola’s Pjcol Ross Lambrusco.  For our latest offering of her wines go here.

Le Comptoir Features Cornelissen and Cappellano on New Year’s Eve

Le Comptoir, one of the hottest new restaurants in Montreal, has featured wines by Frank Cornelissen and Teobaldo Cappellano on its New Year’s Eve menu.  Le Comptoir was named the 9th best new restaurant in Canada in 2011 by enRoute magazine and it specializes in charcuterie and wine.

Yesterday, Le Comptoir announced on their facebook page that they would be serving:

  • Frank Cornelissen Munjabel Bianco with Veal Loin Tataki with Pickled Radish and Sage Popcorn Sweetbreads.
  • Teobaldo Cappellano Barbera D’Alba 2006 with Smoked Duck with Sauteed Chanterelles,  Glazed Onions, and Seared Foie Gras.

You can view the complete New Years Eve menu on their facebook page. It is also attached below.  If you live in Vancouver try to ignore the fact that the 7-course New Year’s dinner at one of the best restaurants in Montreal is only $65.  It’s painful but it’s true.

The fact that these naturalist wine-making icons on being featured on the New Year’s menu of such a trend setting restaurant is further evidence that natural wines are growing in popularity in Canada.  We still have not seen as much interest in Vancouver or Victoria as we have in other cities like Paris, San Francisco, and Montreal – but given the rapid growth of consumption of natural wines elsewhere – it is really just a matter of time before they arrive in British Columbia en force.

Disclosure:  We import both Frank Cornelissen and Teobaldo Cappellano’s wines.  For our latest offer from Cornelissen go here.  For our latest offer from Cappellano go here.

 

Le Comptoir New Year's Menu 2011

The Round-Up Free Weekly Wine Round-Up

It’s harvest time in the Northern hemisphere and those that do in wine are getting down to getting it done. In BC’s Okanagan Valley what was looking like a potential disaster of a vintage as of July (coolest summer on record) has really turned itself around. According to the marketing arm that is. Really? It’s All Good?Elsewhere: Its raining in Napa but as always it’s a matter of site, farming and philosophy. Vinography chats to a few winemakers. Some tell it like it is. In Oregon it has been very cool and this year will once again separate the women from the girls so to speak (bettcha the Ladies at White Rose will make some rad Pinot, see 2009). In Burgundy we saw one of the earliest vintages on record; short and hot and without great ripeness levels Burgundy Vintage. Napa 1997 anyone? But I’m sure they will come around with some bottle age. Again, Napa 1997?

In other news…

California’s Sea Smoke winery has labelled their 2009 ‘Single Vineyard’ Pinot Noir’s as California Grand Cru. The 390 acre site on which these ‘Grand Cru’ Pinot’s are grown was farmed as a bean field as recently as 1999. Wonder what Grand Cru beans taste like? Never mind. Rhetorical question I’ve had Sea Smoke. Of note, Sea Smoke is entirely within their legal right to label their wine as Grand Cru.

In other Grand Cru news the Loire Valley is looking to make Quartes de Chaume its first Grand Cru appellation. Can’t wait for this dinner party conversation:

“Um, Nigel, this wine is rather sweet and white! Not sure it’s pairing well with the Beef Borgogne.”

“Nonsense Applebee, it’s a Grand Cru!”

“But of course Nigel, lovely indeed.”

In France  biodynamic producer Olivier Cousin has labelled his Cabernet Franc as Anjou pur Breton (Breton is the historic name for Cabernet Franc). This is in contradiction of French AOC labelling laws. He is now facing jail time and a hefty fine. Seriously. See Sea Smoke above. Read More Here and sign that petition. Olivier’s wines are awesome.

Fiona Beckett is spending a week in Paris checking out the natural wine bars – follow her all week long on her blog.  Yes. We are envious.

L’Espirit du Vin, a new film about biodynamic wine-making, is having its debut this weekend at the Gotham Screen International Film Festival – too bad the masses don’t get to see films like this instead of Transformers III – The Return of the Obliterating Cosmo-Robots.